On the screens, where the terrain is being displayed, they stepped away from the technical, scientific look to show actual landscapes.
They wanted the overall look of the interface to be serious and authoritarian, but the hierarchy of information was clearly readable to tie in with story points. Red was used to highlight mission-critical data and indicate warning status. The backgrounds they chose were black and dark blue with white fonts and light blue indicators. The Martian Image source :Youtube/eyedesynĪ lot of research was required to create motion graphics for this film because they wanted it to be as realistic as possible, so they created a visual language that was very true to the data requirements and the spirit of NASA’s current Mission Control. And Cinema 4D allows them to do this in bucket loads, and The tight integration with After Effects was essential for this film as well. The complexity and variables of on-set screen graphics work required the team to be fast, flexible, and creative.
Cinema 4D’s MoGraph tools and workflow with Adobe After Effects were key in simplifying the creation of the complex screen interfaces. Territory took advantage of the massive Cinema 4D toolset using diverse tools, such as those for character animation, motion graphics, particle effects, and cell rendering. They also needed to reflect a sense of the wear and tear of function, history and backstory.
Each one had to reflect the specifics of a particular culture, whether it was human or alien. There were screens for spaceships, street scenes, gambling dens, communication hubs, and a prison. They were asked to create hundreds of designs and animations, with each set requiring its own look and feel to fit the vast number of sets, environments, and cultures.
For this film, Territory Studio was asked by Marvel studios to create holograms, screens, and interfaces throughout many sequences, which turned out to be great when the film was released.
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